"...In a village, the difference between what is known about a person and what is unknown is slight. There may be a number of well-guarded secrets but, in general, deceit is rare because impossible. Thus there is little inquisitiveness - in the prying sense of the term, for there is no need for it. Inquisitiveness is the trait of the city concierge who can gain a little power or recognition by telling X what he doesn't know about Y. In the village X already knows it. And thus too there is little performing: peasants do not play roles as urban characters do.
This is not because they are 'simple' or more honest or without guile, it is simply because the space between what is unknown about a person and what is generally known - and this is the space for all performance - is too small.
That is why the village's continual portrait of itself is mordant, frank, sometimes exaggerated but seldom idealized or hypocritical. And the significance of this is that hypocrisy and idealization close questions, whereas realism leaves them open."
Essay: The Storyteller
Chapter 2: Leaving Home
from 'The Sense of Sight' by John Berger
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