It all wears out. I keep telling myself this, but
I can never believe me, though others do. Even things do.
And the things they do. Like the rasp of silk, or a certain
Glottal stop in your voice as you are telling me how you
Didn’t have time to brush your teeth but gargled with Listerine
Instead. Each is a base one might wish to touch once more
Before dying.
There’s the moment years ago in the station inVenice ,
The dark rainy afternoon in fourth grade, and the shoes then,
Made of a dull crinkled brown leather that no longer exists.
And nothing does, until you name it, remembering, and even then
It may not have existed, or existed only as a result
Of the perceptual dysfunction you’ve been carrying around for years.
The result is magic, then terror, then pity at the emptiness,
Then air gradually bathing and filling the emptiness as it leaks,
Emoting all over something that is probably mere reportage
But nevertheless likes being emoted on. And so each day
Culminates in merriment as well as a deep shock like an electric one,
As the wrecking ball bursts through the wall with the bookshelves
Scattering the works of famous authors as well as those
Of more obscure ones, and books with no author, letting in
Space, and an extraneous babble from the street
Confirming the new value the hollow core has again, the light
From the lighthouse that protects as it pushes us away.
John Ashbery, from ‘A Wave’
From here.
I can never believe me, though others do. Even things do.
And the things they do. Like the rasp of silk, or a certain
Glottal stop in your voice as you are telling me how you
Didn’t have time to brush your teeth but gargled with Listerine
Instead. Each is a base one might wish to touch once more
Before dying.
There’s the moment years ago in the station in
The dark rainy afternoon in fourth grade, and the shoes then,
Made of a dull crinkled brown leather that no longer exists.
And nothing does, until you name it, remembering, and even then
It may not have existed, or existed only as a result
Of the perceptual dysfunction you’ve been carrying around for years.
The result is magic, then terror, then pity at the emptiness,
Then air gradually bathing and filling the emptiness as it leaks,
Emoting all over something that is probably mere reportage
But nevertheless likes being emoted on. And so each day
Culminates in merriment as well as a deep shock like an electric one,
As the wrecking ball bursts through the wall with the bookshelves
Scattering the works of famous authors as well as those
Of more obscure ones, and books with no author, letting in
Space, and an extraneous babble from the street
Confirming the new value the hollow core has again, the light
From the lighthouse that protects as it pushes us away.
John Ashbery, from ‘A Wave’
From here.
How do I love thee? Let me count the ways.
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