Saturday, October 27, 2018

Ox Cart Man

For some strange reason, this felt like a  chant, a litany. I read it many times. The smell and feel of all those earthy things, and the long walk to the market with the ox, brought me peace.  [20 Dec 2012]

Ox Cart Man
Donald Hall

In October of the year,
he counts potatoes dug from the brown field,
counting the seed, counting
the cellar’s portion out,
and bags the rest on the cart’s floor.

He packs wool sheared in April, honey
in combs, linen, leather
tanned from deerhide,
and vinegar in a barrel
hooped by hand at the forge’s fire.

He walks by his ox’s head, ten days
to Portsmouth Market, and sells potatoes,
and the bag that carried potatoes,
flaxseed, birch brooms, maple sugar, goose
feathers, yarn.

When the cart is empty he sells the cart.
When the cart is sold he sells the ox,
harness and yoke, and walks
home, his pockets heavy
with the year’s coin for salt and taxes,

and at home by fire’s light in November cold
stitches new harness
for next year’s ox in the barn,
and carves the yoke, and saws planks
building the cart again.

Thursday, October 25, 2018

Nevertheless, live!

The Second Sermon on the Warpland
For Walter Bradford

1.
This is the urgency: Live!
and have your blooming in the noise of the whirlwind.

2.
Salve salvage in the spin.
Endorse the splendor splashes;
stylize the flawed utility;
prop a malign or failing light—
but know the whirlwind is our commonwealth.

Not the easy man, who rides above them all,
not the jumbo brigand,
not the pet bird of poets, that sweetest sonnet,
shall straddle the whirlwind.

Nevertheless, live.

3.
All about are the cold places,
all about are the pushmen and jeopardy, theft—
all about are the stormers and scramblers but
what must our Season be, which stars from Fear?
Live and go out.
Define and
medicate the whirlwind.

4.
The time
cracks into furious flower. Lifts its face
all unashamed. And sways in wicked grace.

Whose half-black hands assemble oranges
is tom-tom hearted
(goes in bearing oranges and boom).
And there are bells for orphans—
and red and shriek and sheen.

A garbageman is dignified
as any diplomat.
Big Bessie’s feet hurt like nobody’s business,
but she stands—bigly—under the unruly scrutiny, stands in the
wild weed.

In the wild weed
she is a citizen,
and is a moment of highest quality; admirable.

It is lonesome, yes. For we are the last of the loud.
Nevertheless, live.

Conduct your blooming in the noise and whip of the whirlwind.

Gwendolyn Brooks

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