Tuesday, November 6, 2018

Now I am becoming my own tree


























“In my youth I believed in somewhere else
I put faith in travel

now I am becoming my own tree.” 

W. S Merwin

http://transactionswithbeauty.com/home/variations  

Sunday, November 4, 2018

But sometimes restriction creates more freedom

This gave me goose pimples.



















How Did Hokusai Create The Great Wave?: https://www.youtube.com/watch?v=kEubj3c2How

I had used the image in here: http://whilethereisstilltime.blogspot.com/2018/11/it-matters-that-you-care.html

It matters that you care



















"The great Katsushika Hokusai was an artist, a Japanese one but ironically least like a typical Japanese artist.  Japan's best known woodblock print, his Great Wave, is also typically un-Japanese. "

Hokusai Says

Hokusai says look carefully.
He says pay attention, notice.
He says keep looking, stay curious.
He says there is no end to seeing

He says look forward to getting old.

He says keep changing,
you just get more who you really are.
He says get stuck, accept it, repeat
yourself as long as it is interesting.

He says keep doing what you love.
He says keep praying.

He says every one of us is a child,
every one of us is ancient
every one of us has a body.
He says every one of us is frightened.
He says every one of us has to find
a way to live with fear.

He says everything is alive --
shells, buildings, people, fish,
mountains, trees, wood is alive.
Water is alive.
Everything has its own life.
Everything lives inside us.

He says live with the world inside you.
He says it doesn't matter if you draw,
or write books. It doesn't matter
if you saw wood, or catch fish.

It doesn't matter if you sit at home
and stare at the ants on your veranda
or the shadows of the trees
and grasses in your garden.

It matters that you care.
It matters that you feel.
It matters that you notice.
It matters that life lives through you.

Contentment is life living through you.
Joy is life living through you.
Satisfaction and strength
is life living through you.

He says don't be afraid.
Don't be afraid.
Love, feel, let life take you by the hand.
Let life live through you.
Roger Keyes

Listen to this poem here: https://www.youtube.com/watch?v=1joKzx7-M_k

Saturday, October 27, 2018

Ox Cart Man

For some strange reason, this felt like a  chant, a litany. I read it many times. The smell and feel of all those earthy things, and the long walk to the market with the ox, brought me peace.  [20 Dec 2012]

Ox Cart Man
Donald Hall

In October of the year,
he counts potatoes dug from the brown field,
counting the seed, counting
the cellar’s portion out,
and bags the rest on the cart’s floor.

He packs wool sheared in April, honey
in combs, linen, leather
tanned from deerhide,
and vinegar in a barrel
hooped by hand at the forge’s fire.

He walks by his ox’s head, ten days
to Portsmouth Market, and sells potatoes,
and the bag that carried potatoes,
flaxseed, birch brooms, maple sugar, goose
feathers, yarn.

When the cart is empty he sells the cart.
When the cart is sold he sells the ox,
harness and yoke, and walks
home, his pockets heavy
with the year’s coin for salt and taxes,

and at home by fire’s light in November cold
stitches new harness
for next year’s ox in the barn,
and carves the yoke, and saws planks
building the cart again.

Thursday, October 25, 2018

Nevertheless, live!

The Second Sermon on the Warpland
For Walter Bradford

1.
This is the urgency: Live!
and have your blooming in the noise of the whirlwind.

2.
Salve salvage in the spin.
Endorse the splendor splashes;
stylize the flawed utility;
prop a malign or failing light—
but know the whirlwind is our commonwealth.

Not the easy man, who rides above them all,
not the jumbo brigand,
not the pet bird of poets, that sweetest sonnet,
shall straddle the whirlwind.

Nevertheless, live.

3.
All about are the cold places,
all about are the pushmen and jeopardy, theft—
all about are the stormers and scramblers but
what must our Season be, which stars from Fear?
Live and go out.
Define and
medicate the whirlwind.

4.
The time
cracks into furious flower. Lifts its face
all unashamed. And sways in wicked grace.

Whose half-black hands assemble oranges
is tom-tom hearted
(goes in bearing oranges and boom).
And there are bells for orphans—
and red and shriek and sheen.

A garbageman is dignified
as any diplomat.
Big Bessie’s feet hurt like nobody’s business,
but she stands—bigly—under the unruly scrutiny, stands in the
wild weed.

In the wild weed
she is a citizen,
and is a moment of highest quality; admirable.

It is lonesome, yes. For we are the last of the loud.
Nevertheless, live.

Conduct your blooming in the noise and whip of the whirlwind.

Gwendolyn Brooks

Friday, August 3, 2018

And suddenly all that matters

Walking Through the Prehistoric Journey Exhibit

And again I recall how small we are,
how ninety nine percent of all species
that have ever lived are extinct,
how thin our stripe in geologic time,
how remarkable that we are here at all.

And suddenly all that matters
is that I love you—and what are the odds?
How many billion years in the making,
this rush of gratitude, this burgeoning
joy, this thrill in the sheer Cenozoic luck
to feel the concurrent burning and quenching,
the simultaneous bite and salve, the Quaternary
gift of thriving and failing at the same time?

If it feels as if it’s taken forever to get to this place,
lover, it has. Think trilobite. T-rex. Cave bear.
Wooly mammoth. Think how little time
has passed, and how lucky, how lucky we are.

Rosemerry Trommer

https://ahundredfallingveils.com/2018/07/08/walking-through-the-prehistoric-journey-exhibit/

Friday, June 22, 2018

Fear

The Thing Is
after Ellen Bass

To trust life, that is the thing.
To trust it even when there are gaping holes
in the walls of your certainty.

To trust it even when your foundation
feels like a strange place filled with strange people
who all feel more at home in you than you do.

And when fear enters you like a bear in your basement,
or like three bears, all of them famished,
all of them rummaging through your emergency stores,

yes, when fear offers to give you its name,
when fear brings you a ladders and says, Here,
climb down into yourself, into this chamber

of strangers and bears,
when you would rather go anywhere but in,
that is when you step onto the rungs and go down,

one rung at a time. No gun in your hand.
No bear spray. No knife. There is honey
in here somewhere. And tea. So much here

to offer these hungriest parts of yourself.
And you are ready to make peace.
You are ready to meet them and share.

Rosemerry Trommer


Thursday, May 17, 2018

Loneliness


























"I'm making a list of things I'm not allowed to say:

That I'm lonely. And that I fear this loneliness will crush me, slowly and by degrees.

...That I feel like I'm stuck behind a glass wall watching everyone else live a life I've only ever dreamt of. That it is isolation in plain sight.

.. That I have become greedy for affection. And I fear there is some threshold for loneliness that should I pass I may never recover. That it sometimes rushes in like a tidal wave, flooding levees and toppling internal infrastructure, leaving me at a crowded dinner table afraid to look up from my plate for fear that someone may see the sadness in my eyes.

That loving someone does make everything a little bit easier. There is this construct in psychology called transactive memory. It is the idea that we store information and ideas - memories even - in the minds of the people around us. I cannot help but wonder if this is true of joy and sadness too? If it is possible to share emotion in this way? And what must it feel like when a person you love carries your heaviness, if only for a moment?

That there is exposure in living one's life alone.

And that for a stretch of time I walk north on Sixth Avenue each morning and pass a man who spends the whole of his day yelling upwards at the sky. I wonder if we aren't more alike than not. It would be easy to say, No, of course not.

But loneliness, stripped of the many layers in which we dress it, is fundamentally the same."

Pages 99-100,   'Places I Stopped on the Way Home, A Memoir of Chaos and Grace', Meg Fee

Brokenness

"I wear sadness differently now than I did at eighteen or 25 or any of the years in between.

I'm more comfortable with my own brokenness - more at ease with the notion that it's the well from which I draw empathy and kindness and humour. It is so telling of what it is to be human and alive in this world."

Page 42, 'Places I Stopped on the Way Home, A Memoir of Chaos and Grace', Meg Fee

Saturday, April 28, 2018

Teaching oneself joy, over and over again




















Barbara Kingsolver was introduced to me by a random foreigner who saw me at a flea market sale and ordered me, "You MUST read this!" ('The Poisonwood Bible'). I am always moved by people who take that effort to make my experience of life a little deeper, whether or not they know me - hey, don't we share the same planet, what introductions are we waiting for? - :) - so I bought it. And was completely blown away! Kingsolver is an amazing writer.

I can so relate to this passage, it's something I do. :) On my worst days, I go out early in the morning, bruised, hollow, empty - and look at every fallen leaf and flower, every spot of colour along my way, every squirrel going crazy at the return of the light ("Oh my God, it's back!"), and allow them to fill me, one by one.

“In my own worst seasons I’ve come back from the colorless world of despair by forcing myself to look hard, for a long time, at a single glorious thing: a flame of red geranium outside my bedroom window. And then another: my daughter in a yellow dress. And another: the perfect outline of a full, dark sphere behind the crescent moon. Until I learned to be in love with my life again.

Like a stroke victim retraining new parts of the brain to grasp lost skills, I have taught myself joy, over and over again.”

Barbara Kingsolver from 'High Tide in Tucson'

From here: http://transactionswithbeauty.com/home/geranium

Sunday, February 11, 2018

Our every day life is what will save us


























"Adams raises the questions, “Is art a sufficient consolation for life? Can Beauty make suffering tolerable?” His answer, while not an all-out endorsement for art, is real, and tangible. He says: “The fact is, I think that they are only partly sufficient. If we are not too burdened by disappointment or loneliness or pain, there are certainly times when art can help; there are moments when great pictures can heal. Views by Masaccio and Rembrandt and Cezanne and Stieglitz, among others, have all been important to me in this way.”

He goes on to say:

“Sometimes it has been enough to search out a cafe blessed with a jukebox, rattling dishes, and human voices. Family and friends are better though. What a relief there is in an anecdote, a jumping dog, or the brush of a hand. All of these things are disorderly, but no plan for survival stands a chance without them.”

Our every day life is what will save us, perhaps, in the end. The beauty of that, whether it's captured in a photograph, or in a poem, or paragraph."

Shawna Lemay

http://transactionswithbeauty.com/home/beautyinphotography

Saturday, February 10, 2018

It just opens a door, quietly

A Poem Never Says Anything
Uttaran Chaudhuri

translated from Bengali by the poet

A poem never says anything.
It just opens a door, quietly.

Sleepless and bent
just like my aged father
waiting for me in a lonely winter night.

https://www.amazon.in/100-Great-Indian-Poems-Abhay/dp/9386950936

Reaching for each other

That Winter Evening
for Billy Miller

When the man pulled my father
from the icy waters of Lake Michigan,
he did not know years later my step-daughter
would need someone to buy her a sweater
so she would feel nurtured, did not know

that my son would need someone
to make a mosaic with him so that he
could feel loved, did not know
that my daughter would need
someone to tell her that she
was beautiful. When the man

pulled my father from the water
when he fell in while fishing alone,
that man couldn’t know that
years later this daughter
would sit beside her father and hold his hand
and weep at the simple gift
of being able to hold his hand.

The man was doing what he knew to do—
to rush to the person in need of help.
He didn’t think then of the other lives
blessed by the man. Did not think
of the other lives blessed by his hands
when he chose to try, though the odds
were low. He knew only to reach.

Years later, my mother still sleeps
beside the man that was pulled
from the winter lake.

Give us hands that know to reach
for each other—stranger, neighbor,
friend. Give us hands that unthinkingly
choose to save the family
we’ve never met.

Rosemerry Trommer

https://ahundredfallingveils.com/2018/02/10/that-winter-evening/

Monday, January 15, 2018

When loneliness comes stalking
















When loneliness comes stalking, go into the fields, consider
the orderliness of the world. Notice
something you have never noticed before,

like the tambourine sound of the snow-cricket
whose pale green body is no longer than your thumb.

Stare hard at the hummingbird, in the summer rain,
shaking the water-sparks from its wings.

Let grief be your sister, she will whether or not.
Rise up from the stump of sorrow, and be green also,
like the diligent leaves.

A lifetime isn't long enough for the beauty of this world
and the responsibilities of your life.

Scatter your flowers over the graves, and walk away.
Be good-natured and untidy in your exuberance.

In the glare of your mind, be modest.
And beholden to what is tactile, and thrilling.

Live with the beetle, and the wind.

Mary Oliver

From The Leaf and the Cloud: A Poem

Friday, December 22, 2017

Tipping ourselves over










"Ray Bradbury has said, “We are cups, constantly and quietly being filled. The trick is, knowing how to tip ourselves over and let the beautiful stuff out.”

Your Turn: http://transactionswithbeauty.com/home/dkp3wn35k9tcyhgwep9x9f7fmt4fwn

The lines in the picture are from Mary Oliver's 'Devotions'

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