Showing posts with label Keetje Kuipers. Show all posts
Showing posts with label Keetje Kuipers. Show all posts

Monday, April 13, 2015

You Loved A Woman Once

She told you of childhood summers, mayflies trembling
beside the bridge of her nose, hunting frogs. Skinning them
on a brick, the house smelling like their small, fried legs.

All she wanted was for you to carry her home in a canoe
with paddles, life vests, a flare. You promised
to teach her how to swim when she was in your arms.

Your own body, broken into so many times, became a clear lake
for her to bathe in. Remember pulling the one tiny, suckering
leech from below her neck, the pale collarbone Braille it left.

You said the boat was her shoulder in your mouth, even when
you couldn’t bear her epaulets of freckles, even when nothing
but a body would do and there was no body but her own.

Below her—lily pads, dragonflies, the worms
dug up last summer and thrown from the dock to see fish
rise in a boil—now all snapped raw in the frozen pond. And speaker,

coded “you"—what about the light straining through her dampened
hair, will you catch it in your jaws? There’s the smell of paper
on her skin and you pressing her body like a flower in a book.

Keetje Kuipers

Tuesday, May 8, 2012

You wouldn't recognize me

I have this thing about hands. And poems that speak of them. Hands, these far edges of us, to which all our warmth flows down. And then the reaching out. And the drawing in.

"......One of my friends, whose wife is a physician, went on to elaborate that when his wife's medical class dissected cadavers, the hardest task - the most psychologically upsetting for the students - wasn't dissecting faces. It was hands. He offered, "It's our hands that give us our humanity."

I guess it is appropriate that we hurt the most through them too.

Across a Great Wilderness without You
Keetje Kuipers

The deer come out in the evening.
God bless them for not judging me,
I'm drunk. I stand on the porch in my bathrobe
and make strange noises at them—

language,

if language can be a kind of crying.
The tin cans scattered in the meadow glow,
each bullet hole suffused with moon,
like the platinum thread beyond them
where the river runs the length of the valley.
That's where the fish are.

Tomorrow

I'll scoop them from the pockets of graveled
stone beneath the bank, their bodies
desperately alive when I hold them in my hands,
the way prayers become more hopeless
when uttered aloud.

The phone's disconnected.

Just as well, I've got nothing to tell you:
I won't go inside where the bats dip and swarm
over my bed. It's the sound of them
shouldering against each other that terrifies me,
as if it might hurt to brush across another being's
living flesh.

But I carry a gun now. I've cut down
a tree. You wouldn't recognize me in town—
my hands lost in my pockets, two disabused tools
I've retired from their life of touching you.


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