Surrender

 

Be Ground.

Be crumbled, so wildflowers will come up where you are. 

You have been stony for too many years

Try something different. 

Surrender. 

Jalaluddin Rumi

You have more than enough. Always have.

 

Abundance

By Amy Schmidt
in memory of Mary Oliver

It's impossible to be lonely
when you're zesting an orange.

Scrape the soft rind once
and the whole room 
fills with fruit.

Look around: you have
more than enough. 
Always have.

You just didn't notice
until now.

It’s giving, until the giving feels like receiving

 

From 'To Begin With, The Sweetgrass'

Mary Oliver

II

Eat bread and understand comfort.

Drink water, and understand delight.

Visit the garden where the scarlet trumpets

are opening their bodies for the hummingbirds

who are drinking the sweetness, who are

thrillingly gluttonous.

For one thing leads to another.

Soon you will notice how stones shine underfoot.

Eventually tides will be the only calendar you believe in.

And someone’s face, whom you love, will be as a star

both intimate and ultimate,

and you will be both heart-shaken and respectful.

And you will hear the air itself, like a beloved, whisper:

oh, let me, for a while longer, enter the two

beautiful bodies of your lungs.

III.

The witchery of living

is my whole conversation

with you, my darlings.

All I can tell you is what I know.

Look, and look again.

This world is not just a little thrill for the eyes.

It’s more than bones.

It’s more than the delicate wrist with its personal pulse.

It’s more than the beating of the single heart.

It’s praising.

It’s giving until the giving feels like receiving.

You have a life—just imagine that!

You have this day, and maybe another, and another.

I felt in need of a great pilgrimage

 

I felt in need of a great pilgrimage.

So I sat still for three days
and God came to me.

Kabir, in 'Love Poems from God, Twelve Sacred Voices from the East and West'

Belonging

 

The Fourth Sign of the Zodiac (Part 3)

I know, you never intended to be in this world.
But you're in it all the same.
So why not get started immediately.
I mean, belonging to it.

There is so much to admire, to weep over.
And to write music or poems about.

Bless the feet that take you to and fro.
Bless the eyes and the listening ears.
Bless the tongue, the marvel of taste.
Bless touching.

You could live a hundred years, it's happened.
Or not.

I am speaking from the fortunate platform of many years,
none of which, I think, I ever wasted.

Do you need a prod?
Do you need a little darkness to get you going?
Let me be as urgent as a knife, then, and remind you of Keats,
so single of purpose and thinking, for a while,
he had a lifetime.

Mary Oliver, from Blue Horses

Love

 

I want so badly some days
to be the kind of person who keeps a gratitude journal

and believes in manifestations, who believes
that if I throw myself on the mercy of the universe

the universe will be merciful, that happiness is as simple
as mirror work, which people tell me is not easy,

because who can look in the mirror for three minutes
and say I love you, I love you, I love you

without bursting into tears over all the ways
we have not loved ourselves.

Jennifer Saunders, from When the Guest Speaker Told Us

The Cat's Song

Mine, says the cat, putting out his paw of darkness.
My lover, my friend, my slave, my toy, says
the cat making on your chest his gesture of drawing
milk from his mother’s forgotten breasts.

Let us walk in the woods, says the cat.
I’ll teach you to read the tabloid of scents,
to fade into shadow, wait like a trap, to hunt.
Now I lay this plump warm mouse on your mat.

You feed me, I try to feed you, we are friends,
says the cat, although I am more equal than you.
Can you leap twenty times the height of your body?
Can you run up and down trees? Jump between roofs?

Let us rub our bodies together and talk of touch.
My emotions are pure as salt crystals and as hard.
My lusts glow like my eyes. I sing to you in the mornings
walking round and round your bed and into your face.

Come I will teach you to dance as naturally
as falling asleep and waking and stretching long, long.
I speak greed with my paws and fear with my whiskers.
Envy lashes my tail. Love speaks me entire, a word

of fur. I will teach you to be still as an egg
and to slip like the ghost of wind through the grass.

Marge Piercy

A Gift

 

The middle of June, and I awake
to rain - gentle, persistent, enough
to soak the  ground and clear  the air.
 
Isn't this the best kind of surprise-
the thing you wanted but couldn't get
for yourself and didn't know
that you could have? Already
the frogs are singing and the grass
stretches its roots in rejoicing.
 
And here am I, with my damp hair
and empty hands, and nothing to say
but "Oh!" and "Thank you!"
 
Once again the world - my one
true love - has brought me flowers.
 
Lynn Ungar, 9 Jun 2023

Mercy

When I was a child, every monsoon season, I spent a lot of time rescuing small insects drowning in pools of rain water in the hilly green area where we lived. I walked around after the rain, looking out for them. And for those that could not be reached with twigs, I made small paper boats and pushed them in their direction. When they clambered on to the boat, I would breath again. 

I can relate to this poem. :) 

Mercy
after Nikki Giovanni

She asks me to kill the spider.
Instead, I get the most peaceful weapons I can find.

I take a cup and a napkin.
I catch the spider, put it outside
and allow it to walk away.

If I am ever caught in the wrong place
at the wrong time, just being alive
and not bothering anyone,

I hope I am greeted
with the same kind
of mercy. 

Rudy Francisco
Helium

Rudy K. Francisco is an American Spoken Word poet and author of Caribbean origin. 

You swell into survival

Over And Over Tune
 
You could grow into it,
that sense of living like a dog,
loyal to being on your own in the fur of your skin,
able to exist only for the sake of existing.
 
Nothing inside your head lasting long enough for you to hold onto,
you watch your own thoughts leap across your own synapses and disappear --
small boats in a wind,
fliers in all that blue,
the swish of an arm backed with feathers,
a dress talking in a corner,
and then poof,
your mind clean as a dog's,
your body big as the world,
important with accident --
blood or a limp, fur and paws.
 
You swell into survival,
you take up the whole day,
you're all there is,
everything else is
not you, is every passing glint, is
shadows brought to you by wind,
passing into a bird's cheep, replaced by a
rabbit skittering across a yard,
a void you yourself fall into.
 
You could make this beautiful,
but you don't need to,
living is this fleshy side of the bone,
going on is this medicinal smell of the sun --
no dog ever tires of seeing his life
 
keep showing up at the back door
even as a rotting bone with a bad smell;
feet tottering, he dreams of it,
wakes and licks no matter what.

Ioanna Carlsen
 
(Poetry, March 2001)

Joy is a function of Focus

Choose joy. Choose it like a child chooses the shoe to put on the right foot, the crayon to paint a sky. 

Choose it at first consciously, effortfully, pressing against the weight of a world heavy with reasons for sorrow, restless with need for action. Feel the sorrow, take the action, but keep pressing the weight of joy against it all, until it becomes mindless, automated, like gravity pulling the stream down its course; until it becomes an inner law of nature. 

If Viktor Frankl can exclaim “yes to life, in spite of everything!” — and what an everything he lived through — then so can any one of us amid the rubble of our plans, so trifling by comparison. 

Joy is not a function of a life free of friction and frustration, but a function of focus — an inner elevation by the fulcrum of choice. 

So often, it is a matter of attending to what Hermann Hesse called, as the world was about to come unworlded by its first global war, “the little joys”; so often, those are the slender threads of which we weave the lifeline that saves us.

Delight in the age-salted man on the street corner waiting for the light to change, his age-salted dog beside him, each inclined toward the other with the angular subtlety of absolute devotion.

Delight in the little girl zooming past you on her little bicycle, this fierce emissary of the future, rainbow tassels waving from her handlebars and a hundred beaded braids spilling from her golden helmet.

Delight in the snail taking an afternoon to traverse the abyssal crack in the sidewalk for the sake of pasturing on a single blade of grass.

Delight in the tiny new leaf, so shy and so shamelessly lush, unfurling from the crooked stem of the parched geranium.

I think often of this verse from Jane Hirshfield’s splendid poem 

“The Weighing”

So few grains of happiness
measured against all the dark
and still the scales balance.

Yes, except we furnish both the grains and the scales. I alone can weigh the blue of my sky, you of yours.

From here thanks to Maria Popova

I’m not saying we shouldn’t be angry

I’m not saying we shouldn’t be angry.

Anger seems reasonable. But perhaps
we will do what I’ve heard the Inuit do—

spend the emotion on walking, walk a line

until all the anger has left our bodies.

The moment the Inuit notice the anger is gone,
replaced, perhaps, by sadness or fear,
compassion or just a quietness,
they mark that spot with an object

to show the extent of their anger.

And perhaps, if we’re lucky, when we walk
this way, it will be a long enough walk
that we arrive at each other’s doors,

object in hand, and when the object

leaves our grip, we’ll be able to use our hands
to greet each other, touch each other’s faces,
point to the horizon to all the other places

we might choose to walk now together.

Rosemerry Trommer

The best is not destroyed, although forever threatened

 The Good

The good are vulnerable
As any bird in flight,

They do not think of safety,
Are blind to possible extinction
And when most vulnerable
Are most themselves.

The good are real as the sun,
Are best perceived through clouds
Of casual corruption
That cannot kill the luminous sufficiency
That shines on city, sea and wilderness,

Fastidiously revealing
One man to another,
Who yet will not accept
Responsibilities of light.

The good incline to praise,
To have the knack of seeing that
The best is not destroyed
Although forever threatened.

The good go naked in all weathers,
And by their nakedness rebuke
The small protective sanities
That hide men from themselves.

The good are difficult to see
Though open, rare, destructible;
Always, they retain a kind of youth,
The vulnerable grace
Of any bird in flight,

Content to be itself,
Accomplished master and potential victim,
Accepting what the earth or sky intends.

I think that I know one or two
Among my friends.

Brendan Kennelly

You must be the thing you see

After the red Gulmohars of summer, the pink/purple/violet Bauhinias are here, announcing August.

To Look at Any Thing

To look at any thing,
If you would know that thing,
You must look at it long:

To look at this green and say,
"I have seen spring in these
Woods," will not do - you must
Be the thing you see:

You must be the dark snakes of
Stems and ferny plumes of leaves,
You must enter in
To the small silences between
The leaves,

You must take your time
And touch the very peace
They issue from.

John Moffitt

I must be the sun

Solar

On a gray day, when the sun
has been abducted, and it’s chill
end-of-the-world weather,
I must be the sun.

I must be the one
to encourage the young
sidetracked physicist
working his father’s cash register
to come up with a law of nature
that says brain waves can change
the dismal sky.  I must be the one

to remind the ginger plant
not to rest on the reputation
of its pungent roots, but to unveil
those buttery tendrils from the other world.

When the sky is an iron lid
I must be the one to simmer
in the piquant juices of possibility,
though the ingredients are unknown
and the day begins with a yawn.

I must issue forth a warmth
without discrimination, and any guarantee
it will come back to me.

On a dark day I must be willing
to keep my disposition light,
I have to be at the very least
one stray intact ray
of local energy, one small
but critical fraction
of illumination.  Even on a day

that doesn’t look gray
but still lacks comfort or sense,
I have to be the sun,
I have to shine as if
sorry life itself depended on it.

I have to make all the difference.

Thomas Centolella

Views from along the Middle Way (yet to read)

But some bonuses, like morning

Yes

It could happen any time, tornado,
earthquake, Armageddon. It could happen.
Or sunshine, love, salvation.

It could, you know. That's why we wake
and look out -- no guarantees
in this life.

But some bonuses, like morning,
like right now, like noon,
like evening.

William Stafford, 'The Way It Is'

Every town our home town

Every town our home town
Kaniyan Poongunranar [Sangam Period, 3rd century BC to 4th century AD]

​​"Every town our home town
every man, a kinsman
Good and evil do not come from others
Pain and relief of pain come of themselves

Dying is nothing new
We do not rejoice that life is sweet
nor in anger​​
call it bitter

Our lives, however dear,
follow their own course,
rafts drifting
in the rapids of a great river
sounding and dashing over rocks
after a downpour
from skies slashed by lightnings -

We know this from the vision
of men who see,
So,
We are not amazed by the great
and we do not scorn the little."

Translated by A K Ramanujan: "Poems of Love and War: From the Eight
Anthologies and the Ten Long Poems of Classical Tamil"

The Cinnamon Peeler

If I were a cinnamon peeler
I would ride your bed
and leave the yellow bark dust
on your pillow.

Your breasts and shoulders would reek
you could never walk through markets
without the profession of my fingers
floating over you. The blind would
stumble certain of whom they approached
though you might bathe
under rain gutters, monsoon.

Here on the upper thigh
at this smooth pasture
neighbor to your hair
or the crease
that cuts your back. This ankle.
You will be known among strangers
as the cinnamon peeler’s wife.

I could hardly glance at you
before marriage
never touch you
— your keen nosed mother, your rough brothers.
I buried my hands
in saffron, disguised them
over smoking tar,
helped the honey gatherers…

When we swam once
I touched you in water
and our bodies remained free,
you could hold me and be blind of smell.
You climbed the bank and said

this is how you touch other women
the grasscutter’s wife, the lime burner’s daughter.
And you searched your arms
for the missing perfume.
and knew
what good is it
to be the lime burner’s daughter
left with no trace
as if not spoken to in an act of love
as if wounded without the pleasure of scar.

You touched
your belly to my hands
in the dry air and said
I am the cinnamon
peeler’s wife. Smell me.

Michael Ondaatje

We must travel on our knees

Watching the Jet Planes Dive

We must go back and find a trail on the ground
back of the forest and mountain on the slow land;
we must begin to circle on the intricate sod.
By such wild beginnings without help we may find
the small trail on through the buffalo-bean vines.

We must go back with noses and the palms of our hands,
and climb over the map in far places, everywhere,
and lie down whenever there is doubt and sleep there.
If roads are unconnected we must make a path,
no matter how far it is, or how lowly we arrive.

We must find something forgotten by everyone alive,
and make some fabulous gesture when the sun goes down
as they do by custom in little Mexico towns
where they crawl for some ritual up a rocky steep.
The jet planes dive; we must travel on our knees.

William Stafford, 'Ask Me'

We thought we were beggars, we thought we had nothing at all

We thought we were beggars, we thought we had nothing at all

But then when we started to lose one thing after another,
Each day became
A memorial day --

And then we made songs
Of great divine generosity
And of our former riches.

Anna Akhmatova, tr. Ilya Shambat

Thank you, Joanne Zeni. I first read Anna Akhmatova in my twenties. The fiery Russian poet whopassed away in 1966. It feels like something written now...