Thursday, May 14, 2009

Happiness

So early it's still almost dark out.
I'm near the window with coffee,
and the usual early morning stuff
that passes for thought.

When I see the boy and his friend
walking up the road
to deliver the newspaper.

They wear caps and sweaters,
and one boy has a bag over his shoulder.
They are so happy
they aren't saying anything, these boys.

I think if they could, they would take
each other's arm.
It's early in the morning,
and they are doing this thing together.

They come on, slowly.
The sky is taking on light,
though the moon still hangs pale over the water.

Such beauty that for a minute
death and ambition, even love,
doesn't enter into this.

Raymond Carver

Consequences

"....In simple terms, what does karma mean? It means that whatever we do, with our body, speech, or mind, will have a corresponding result. Each action, even the smallest, is pregnant with its consequences. Even a little poison can cause death and even a tiny seed can become a huge tree. ....
As Buddha said, "What you are is what you have been, what you will be is what you do now."

The Tibetan Book of Living and Dying. Page 96.Sogyal Rinpoche

Aging

"…..When I was 20, I wondered what it would be like to be 50. None of my guesses were close. I assumed that "aging" was automatically bad, so I didn't look forward to it. No one told me that having more friends and fewer zits would feel like a good tradeoff. And if you told me I could have my twenty-year old body again, but I had to take my twenty-year old brain with it, I'd pass."

http://dilbertblog.typepad.com/the_dilbert_blog/2007/06/happy_birthday_.html

A Ray of Sunshine and a Free Bench


"We spend our life trying to bring together in the same instant a ray of sunshine and a free bench."

Beckett, Texts for Nothing

Intelligence

"...Man had always assumed that he was more intelligent than dolphins because he had achieved so much... the wheel, New York, wars, and so on, whilst all the dolphins had ever done was muck about in the water having a good time. But conversely the dolphins believed themselves to be more intelligent than man for precisely the same reasons."

Douglas Adams
The Hitchhiker's Guide to the Galaxy

Controlling Consciousness

"..It has been claimed, for instance, that the reason there are more poets per capita in Iceland than in any other country of the world is that reciting the sagas became a way for the Icelanders to keep their consciousness ordered in an environment exceedingly hostile to human existence.

For centuries the Icelanders have not only preserved in memory but also added new verses to the epics chronicling the deeds of their ancestors. Isolated in the freezing night, they used to chant their poems huddled around fires in precarious huts, while outside the winds of the interminable arctic winters howled. If the Icelanders had spent all those nights in silence listening to the mocking wind, their minds would have soon filled with dread and despair.

By mastering the orderly cadence of meter and rhyme, and encasing the events of their own lives in verbal images, they succeeded in taking control of their experiences. In the face of chaotic snowstorms they created songs with form and meaning."

Page 128.
'Flow - The Psychology of Optimal Experience'
Mihaly Csikszentmihalyi

Dean

"...I looked out the window. He was alone in the doorway, digging the street. Bitterness, recriminations, advice, morality, sadness - everything was behind him, and ahead of him was the ragged and ecstatic joy of pure being..."

Sal, on the indomitable Dean Moriarty, in "On the Road", by James Keruoac

Hollow Victories


"...Any effort that has self-glorification as its final endpoint is bound to end in disaster. Now we're paying the price. When you try to climb a mountain to prove how big you are, you almost never make it. And even if you do it's a hollow victory. In order to sustain the victory you have to prove yourself again and again in some other way, and again and again and again, driven forever to fill a false image, haunted by the fear that the image is not true and someone will find out. That's never the way.

Phaedrus wrote a letter from India about a pilgrimage to holy Mount Kailas, the source of the Ganges and the abode of Shiva, high in the Himalayas, in the company of a holy man and his adherents.

He never reached the mountain. After the third day he gave up, exhausted, and the pilgrimage went on without him. He said he had the physical strength but that physical strength wasn't enough. He had the intellectual motivation but that wasn't enough either. He didn't think he had been arrogant but thought he was undertaking the pilgrimage to broaden his experience, to gain understanding for himself.

He was trying to use the mountain for his own purposes and the pilgrimage too. He regarded himself as the fixed entity, not the pilgrimage or the mountain, and thus wasn't ready for it. He speculated that the other pilgrims, the ones who reached the mountain, probably sensed the holiness of the mountain so intensely that each footstep was an act of devotion, an act of submission to this holiness. The holiness of the mountain infused into their own spirits enabled them to endure far more than anything he, with his greater physical strength, could take."

'Zen and the Art of Motorcycle Maintenance' Robert M Pirsig

Bachianas Brasilieras

http://www.youtube.com/watch?v=NxzP1XPCGJE&feature=related

Mezzo soprano (middle soprano) with 8 cellos

Heitor Villa Lobos, Brazilian composer: http://en.wikipedia.org/wiki/Heitor_Villa-Lobos

Ignorare



"The Greek word for "return" is nostos. Algos means "suffering". So nostalgia is the suffering caused by an unappeased yearning to return. To express that fundamental notion most Europeans can utilize a word derived from Greek (nostalgia, nostalgie) as well as other words with roots in their national languages: anoranza, say the Spaniards; saudade, say the Portugese.

In each language these words have a different semantic nuance. Often they mean only the sadness caused by the impossibility of returning to one's country: a longing for country, for home. What in English is called "homesickness". Or in German: Heimweh. In Dutch: heimwee. But this reduces that great notion to just its spatial element. One of the oldest European languages, Icelandic (like English) makes a distinction between two terms: soknuour: nostalgia in its general sense; and heimpra: longing for the homeland. Czechs have the Greek-derived nostalgie as well as their own noun, stesk, and their own verb; the most moving Czech expression of love: styska se mi po tobe ("I yearn for you," "I'm nostalgic for you"; "I cannot bear the pain of your absence")

In Spanish anoranza comes from the verb anorar (to feel nostalgia), which comes from the Catalan enyorar, itself derived from the Latin word ignorare (to be unaware of, not know, not experience; to lack or miss). In that etymological light nostalgia seems something like the pain of ignorance, of not knowing. You are far away, and I don't know what has become of you. My country is far away, and I don't know what is happening there."

Page 5, "Ignorance"Milan Kundera

Stories

"We are part human, part stories.""

It is through the fictions and stories we tell ourselves and others that we live the life, hide from it, harmonise it, canalise it, have a relationship with it, shape it, accept it, are broken by it, redeem it, or flow with the life.

"In a fractured age, when cynicism is god, here is a possible heresy: we live by stories, we also live in them. One way or another we are living the stories planted in us early or along the way, or we are also living the stories we planted-knowingly or unknowingly-in ourselves. We live stories that either give our lives meaning or negate it with meaninglessness.

If we change the stories we live by, quite possibly we change our lives.

"'A Way of Being Free', Ben Okri

Warm Presence, Eyes

(With acknowledgements to Susan Musgrave, whose "Strawberry" poems started it all)

"Most cats, with the exception of Burmese, do not celebrate their birthdays. Rather, they are extremely sentimental about Palm Sunday and Labour Day, at which times they survive solely on white lace and baloney sandwiches.

Cats on the whole are loath to discuss God.

Generally speaking, cats have no money, although some of them secretly collect rare and valuable coins.

Cats believe that all human beings, animals and plants should congregate in a huge heap in the centre of the universe and promptly fall asleep together.

Of all the cats I have known, the ones I remember most are: Bumble Bee, Buttonhole, Chocolate Bar, Molten Lava and Mushroom. I also remember Tabby who was sane as a star and spent all his time lying on his back in the sink, thinking up appropriate names for me.

Cats see their Keepers as massive phantoms, givers of names and the excellent gravy of their days.

Cats who have been robbed of balls and claws do not lament. They become their Keeper's keepers.

When cats are hosts to fleas they assume the fleas are guests.

Most cats would rather be covered with live fleas than dead ones.

Cats hold no grudges and have no future. They invade nets of strangers with their eyes.

The patron saint of cats is called: Beast of the Skies, Warm Presence, Eyes.

Cats do not worry about the gurgling horrors of the disease listed in catbooks, some of which are Hairballs Enteritis and Bronchitis. But they do become very upset about Symptoms, which is the worst disease of all.

When cats grow listless (i.e. lose their list) they cease to entertain fleas. They mumble darkly about radishes and death. They listen to Beethoven and become overly involved in Medieval History.

When cats decide to die they lie alone lost among leaves beneath the dark winds and broad thunders of the world and pray to the Beast of the Skies, Warm, Presence, Eyes.
Broadly speaking, cats do not read Gothic novels, although they tend to browse through Mary Shelley on the day before Christmas.

The only reason cats do not carry passports is because they have no pockets.

When a black cat crosses your path it usually means that he is trying to get to the other side of the street.

Cats never get baptized. They lose their dry.

Cats only perspire during Lent.

Cats have no memory and no future. They are highly allergic to Prime Ministers, radishes, monks, poets, and death."

http://www.library.utoronto.ca/canpoetry/macewen/poem3.htm
Magic and Madness
Magic CatsFrom Magic Animals: Selected Poems Old and NewMacmillan, Toronto - 1974

Free



"In the midst of the plain
Sings the skylark
Free of all things....."

Matsuo Basho

Railway Station

".... In a railway station the impersonal and the intimate co-exist. Destinies are played out. The trains run regularly, according to printed timetables. The lines are inexorable. But for each passenger or for each person who comes to meet or see off a traveler, the train in question has its own portent. The portents can be read close-up, in faces, in details of luggage, in the welcomes and partings as people embrace on the platform.

On that late spring afternoon, few people had come. I was the only one to climb the railings and there, clinging on with one arm, to wait for the train to draw in. In the coaches which passed me, I saw people crowding round the doors, impatient to jump down.

Among the first were some Spaniards, relatives of migrant workers already installed in the city. Their small children, deposited on the platform, looked less bemused than their parents, as if for the children one city was much the same as another, equally familiar and equally unknowable. From a rear coach a man with two Alsatian dogs clambered down. The locomotive, now uncoupled, was driven off, leaving the train stranded.

At that moment I saw you at the end of the platform. You were wearing trousers. On the long platform beside the stranded train, in the vast white diffused late-afternoon light of the rift valley, you looked very small. With your appearance everything changed. Everything from the passage under the railway tracks to the sun setting, from the Arabic numerals on the board which announced the times of the trains, to the gulls perched on a roof, from the invisible stars to the taste of coffee on my palate. The world of circumstance and contingency, into which, long before, I had been born, became like a room.

I was home."

John Berger 'And our Faces, My Heart, Brief as Photos '

Atlas

"...Unlike Parmenides, Beethoven apparently viewed weight as something positive. Since the German word schwer means both "difficult" and "heavy", Beethoven's "difficult resolution" may also be construed as a "heavy" or "weighty resolution". The weighty resolution is at one with the voice of Fate ("Es muss sein!"); necessity, weight, and value are three concepts inextricably bound: only necessity is heavy, and only what is heavy has value.

This is a conviction born of Beethoven's music, and although we cannot ignore the possibility (or even probability) that it owes its origins more to Beethoven's commentators than to Beethoven himself, we all more or less share it: we believe that the greatness of man stems from the fact that he bears his fate as Atlas bore the heavens on his shoulders. Beethoven's hero is a lifter of metaphysical weights."

Page 33, 'The Unbearable Lightness of Being', Milan Kundera

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