Read it here, preferably, with the photos.
...............................................................................
Although what glitters
on the trees,
row after perfect row,
is merely
the injustice
of the world,
the chips on the bark of each
beech tree
catching the light, the sum
of these delays
is the beautiful, the human
beautiful,
body of flaws.
The dead
would give anything
I’m sure,
to step again onto
the leafrot,
into the avenue of mottled shadows,
the speckled
broken skins. The dead
in their sheer
open parenthesis, what they
wouldn’t give
for something to lean on
that won’t
give way. I think I
would weep
for the moral nature
of this world,
for right and wrong like pools
of shadow
and light you can step in
and out of
crossing this yellow beech forest,
this buchen-wald,
one autumn afternoon, late
in the twentieth
century, in hollow light,
in gaseous light. . . .
To receive the light
and return it
and stand in rows, anonymous,
is a sweet secret
even the air wishes
it could unlock.
See how it pokes at them
in little hooks,
the blue air, the yellow trees.
Excerpt from "Two Paintings by Gustav Klimt", a poem by Jorie Graham.
...............................................................................
Although what glitters
on the trees,
row after perfect row,
is merely
the injustice
of the world,
the chips on the bark of each
beech tree
catching the light, the sum
of these delays
is the beautiful, the human
beautiful,
body of flaws.
The dead
would give anything
I’m sure,
to step again onto
the leafrot,
into the avenue of mottled shadows,
the speckled
broken skins. The dead
in their sheer
open parenthesis, what they
wouldn’t give
for something to lean on
that won’t
give way. I think I
would weep
for the moral nature
of this world,
for right and wrong like pools
of shadow
and light you can step in
and out of
crossing this yellow beech forest,
this buchen-wald,
one autumn afternoon, late
in the twentieth
century, in hollow light,
in gaseous light. . . .
To receive the light
and return it
and stand in rows, anonymous,
is a sweet secret
even the air wishes
it could unlock.
See how it pokes at them
in little hooks,
the blue air, the yellow trees.
Excerpt from "Two Paintings by Gustav Klimt", a poem by Jorie Graham.
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